3 days, 3 sculptures, 1000′s of interactions

For three days we tested three iterations of a “giant toy that kids and the wind can play with.”

Testing these prototypes was extremely informative. In addition to gathering important structural and functional data, I was able to observe, listen to, and interview a wide range of users.

adult child sculpture interaction
15 second video

Designing for 5 educational / behavioral outcomes -exploration, discovery, imagination, connection, and immersion- as well as aesthetic interest and beauty.  Intergenerational learning and an appeal to a variety of developmental stages were also important targets for my design to hit.  My research would suggest that the prototypes successfully ticked all of the boxes.

more adult child sculpture interactions
15 second video

Some quotable quotes from users:
• “I really like how they engage the imagination – very Dr. Suess-like.”
• “Dada, look how strong I am!”
• “They’re so fun, beautiful, cool and fantastical.”
• “I like that it teaches teamwork.”
• “I like that they are fun for my older and younger kids.”
• “I like that you can see (experience) the cause and effect.”
• “I like that the designs are simple yet really engaging and interactive.”
• “I like that it goes up and down.”
• “I like that it teaches my kids about rhythms, patterns and cycles.”
• “I like the shadows!”
• “It has really enlivened this outdoor space.”

A Hawk Story

Example picture - unfortunately we don't have an image of our actual hawk!

One of the most special things about our new program Not-A-School is that we can take advantage “teaching moments’ that pop up in the natural environment here in Fort Baker. Last Tuesday when I walked into the classroom the phone was ringing. It was Danielle (we teach the program together) calling from across the street to tell me that she had noticed an injured Red-tailed hawk on her way driving in. When the kids arrived we told them about the hawk, and that Danielle had called Wildcare so someone could come and rescue the big bird. Most of the kids were interested in seeing the hawk up close so we loaded up our binoculars and headed out across the street.

When we got there we could see the hawk really clearly through the binoculars, and we asked the children, “Do you have any ideas about how the hawk might have gotten hurt?” Our friends all shared their ideas about what might have happened, or what part of the hawk’s body might be injured. After we looked at the big bird we played outside and watched when a van came from the Marin Humane Society to bring it to Wildcare. The children continued to talk about the hawk once their parents came to pick them up. Danielle and I decided to call Wildcare on Thursday when most of the kids would be back in the classroom so we could follow up on what happened.

On Thursday morning once everyone arrived I called Wildcare and put the call on speaker phone so our friends could hear. The woman on the phone was really nice and explained very clearly for the children that the juvenile hawk had an injured foot and so it hadn’t been able to hunt properly. She also told us that the hawk was starving so they were feeding it a mixture which she called “bird soup.” It was really amazing how much information the children retained from this phone call: what part of the hawk was injured, how old it was, what it was eating. Even children who hadn’t been with us to see the hawk became very interested in what had happened.  The woman at Wildcare took down our phone number and told us that if the hawk could be re-released in Fort Baker they would call us and let us know so the children could witness the release!

That same day we offered the children clay, feathers and sticks to work on as an open-ended project. They used these materials to express their thoughts and ideas about the hawk. We also added models of a Red-tailed hawk egg, claw, and skull so they have a tangible representation of their experience. We can help children start to build empathy and compassion for the natural world by introducing them to the concept of wild animals, gathering their ideas about what happened, following up on the consequences and synthesizing their experiences into physical artifacts. We build on their interest in our local environment so they make the connection that people and animals have important things in common and we have the power to help animals in need. While we felt sad that this hawk was hurt, it was a powerful opportunity for our Not-A-School friends. We’re so thankful that an organization like Wildcare exists to both to care for wildlife and share valuable information with all of us.

- Heather Posner, Public Programs Manager

Now Ear This

I continue to find creative inspiration from a variety of global and historical sources.

Here are a few of the more interesting and obscure sources that I’ve stumbled upon in my research:

Jack Pavlik.
Imaginative sound sculptures, self-described as “quietly wild”.

Kinetic Chample Machine.
There’s a lot going on with this piece.

Trimpin: Sheng High.
Trimpin is a German-born, Seattle-residing sound artist who recently received a $1,000,000 MacArthur Genius Award.

Tim Prentice.
Tim is a master kinetic artist.

Kinetic Links.
The best kinetic art aggregate link on the internet.

A Breakthrough Moment

This prototype design feels really good!  To me it embodies the heart and soul of this project: sound, creativity, playfulness, participation and site conditions.

The possibility that the installation might turn a living tree into an instrument is extremely exciting!  The instrument is played by both the wind rustling the leaves and bells, as well people when they pull the string (thus rustling the leaves and bells).  Three or more of these designs scattered along Satterly Way -each with a differently sized / sounding bells- would allow for small, visitor-driven concerts.

The tip of the tree as well as the body of the sculpture could also display various anemometers and whirligigs.

I look forward to building larger-scaled prototypes this week!

The 5 Best Toys of All Time

I’m compelled to share this link as the last several weeks have seen me becoming quite close and personal with #4 on the list -The Cardboard Tube.

Along with the author’s analysis, I would add that the tube is about casting your voice to the wind, and conversely, listening for the meaning of the universe.  One of the more surprising insights I’ve had on this project is how much fun it is to stick a tube up to your ear.  Let me say that again so that you might actually go and do it – stick a tube in your ear.

We humans are not very good at hearing (different than listening, of which we are also not very good).  Our little kidney-shaped flaps, pressed flat against our heads, channeling vibrations down to a tiny little hole…clearly there’s room for improvement.  It’s amazing what a little tube to the ear can do to attune you to the secret world of sound that surrounds you, always.  And I find that the longer you keep the tube there, the more rich and textured the experience becomes; apparently your brain needs a minute to learn to discern the subtleties and nuances of caught between the layers.

I could try to describe this sound for you, but I’m doomed to fail for at least 2 reasons:
1) The sound is always changing, and
2) Every person will hear the sound differently

To me, it often sounds like a thousand people whispering, kind of like the ocean hitting the shore.

At any rate, I thought you might enjoy this fun, lite article from Wired Magazine that reminds us it’s not all about video games or the ipad:
http://www.wired.com/geekdad/2011/01/the-5-best-toys-of-all-time/all/1

 

THE SKY IS YOUR CANVAS THE TREE IS YOUR BRUSH AND THE WIND IS YOUR PAINT

Wednesday afternoon at the Bay Area Discovery Museum has transformed into an interdisciplinary meeting of paint and leaf.

Come join Starfeather and Kelly as we ask “I wonder if you could paint with…?” and “I wonder what would change if we look a little closer…?”

We provide the magnifying glasses and the pigment; you provide the experimentation as we absorb our surroundings.

Check out some of the exploration so far!

Prototyping Continued

Retesting sound and wind sculptures on Saturday November 12 with museum visitors proved to be both informative and entertaining.

One family was so inspired by the installation that they wanted to take their group photo in front of it!

One visitor who identified himself as a teacher said that he was going to borrow the idea and have his students build a sound and wind machine!

Something that we observed repeatedly was the nuanced dynamic between adult and child. Adults, understandably, impose their sense or what is appropriate -right and wrong behavior, playtime parameters and explorational boundaries- on their children.

Conversely, children often look to their parents for approval before engaging with an exhibit.

Both young and old will ask, “What does it do?”, or, “What are you supposed to do with it?”.

If the answer is “Play with it”, then the design must reflect playfulness; the exhibit should communicate a strong sense of “yes, it’s OK to play with this.”

Prototype Data

Thursday was an exciting day!

We placed 5 wind/sound sculptural prototypes in the museum’s outdoor corridor known as Satterly Way.

The intention was to observe people -kids and adults- as well as the elements (namely wind) interacting with the sculptures. This information will continue to inform the development of our ideas as well as the structural integrity and functionality of the finished installation.

From our observations as well as our informal interviews with users, this is what learned:
• Most people think that Tubes are for Yelling
• It takes most people several minutes to discover that Tubes can be for Listening
• We may want to consider some kind of labeling system that guides the user experience
• Most people want the sculptures to make more / louder sounds
• With the sculptures in place, more people chose to walk down Satterly Way than when the sculptures are not there (Reference: Rose’s Human Factors Study)
• An unintended benefit of a semi-covered structure: shelter from the elements – a win-wind, as it were (so aptly described by Brianna Cutts)
• Most people are like magpies – attracted to shiny, sparkly and glittery things
• Most kids really liked things that they could manipulate – things that they could Pull, Pluck, Push and Pound
• We may want to consider some interactive elements that are feet-based; like an African thumb piano for the feet
• Most people liked the “Dr. Suess” look and feel of the sculptures;
they had a “wow” and “smile” factor
• The sculptures helped to facilitate a shared, group experience between children and adults
• Kids and Adults will do the unintended and unanticipated;
one child tried to climb on top one of the sculptures
• Sculptures need to be extremely durable and safe

In terms of the wind and other natural elements, we learned:
• Conditions vary greatly from moment to moment, day to day and location
• The buildings provide both a shelter from the wind, and a concentrated corridor to channel the wind
• We may want to consider certain taller sculptural aspects to engage the wind at higher levels beyond the “reach” of the buildings: think pulleys
• We need to build structural integrity for both strong and subtle wind and weather conditions

The Prototyping Session raised the following questions:
• How much of the experience do we want to be discovery-based?
• How much labeling and explaining do we want to do?
• How much should the functionality of the sculptures “stand on their own”?
• How “loud” should the sculpture(s) be?
• In what ways do the sculpture(s) facilitate individual vs. shared activity?
• Do the sculpture(s) need an active museum monitor / educator to be effective and safe?

Sound & Wind Exploration Prototypes

Starting today through Saturday, November 12, artist Zakary Zide will be prototyping possible sound and wind explorations at the Bay Area Discovery Museum.

www.flickr.com


Made from simple materials such as cardboard, plywood, and mailing tubes, these sound and wind explorations will help Zakary understand how they might function on site. Visitors can interact with these explorations and share their insights from 11 a.m. to 3 p.m.

Zakary will then continue to develop these projects so that the final installation will be able to stand up to the gale force winds of Fort Baker as well as the hands of hundreds of thousands of visitors!

Outdoor Learning Family Class

We just wrapped up our fall Outdoor Learning Family Class – a three-week series of classes for 2-3-year-olds and their grownups. Kids discover the outdoors through hands-on activities at the Museum and around Fort Baker, developing a sense of place in the natural world. Public Programs Manager Heather Posner and her team lead the group in open-ended, child-directed activities, such as exploring worms and mud at the Outdoor Learning Lab and enjoying water play and discovering owl pellets on the Parade Ground. These activities are designed to help nurture creative thinking and put children on the path to environmental stewardship, and to give adults an understanding of how the process of developing creative minds works.

One of the moms in the class sent us this lovely note, and agreed to let us share it on the blog. We love to hear about how our families bring the Museum home!

Heather,
Thank you so much to you and your team for a wonderful three-week session in the outdoor class. Oscar and I had a blast and haven’t stopped talking about it with each other, our friends, and our family. Thank you for a fantastic experience. Your team is so caring and warm and you all provide great examples for Oscar and for me as a parent.  Your words and actions are careful, positive, genuine, and warm–as a parent, I learned a lot from all of you these past few weeks. I was so inspired by the class that I am in the process of making my own little “outdoor lab” on our very small city balcony.

- Shannon S.

If this all sounds like fun to you, check out our next series of classes. This time the theme is Get Ready to Get Messy – and believe me, it lives up to its name!